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I suppose that my first Altman film was “M*A*S*H”—it was for many people. It took us all by surprise. The irreverence, the freedom, the mixture of comedy and carnage, the Korean renditions of American hits and the voice over the loudspeaker as running commentary or counterpoint, the creative use of the zoom lens and the long lens, the multiple voices on the soundtrack—he was like a great jazz musician, taking us all along on a grand artistic journey.

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